Musings of a Serial Filmmaker


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November 01, 2006

Panasonic HVX200 + M2 Adapter + Magic Bullet

The DVInfo Thread

Link to Footage 01 (First Day) - 13.5MB
Link to Footage 02 (Insect Macro) - 7.5MB

Great LOOK! These guys over at Motivity Pictures posted some footages shot with their Panasonic HVX200 cam equipped with the Redrock M2 Adapter and some Nikon SLR lenses (50m, 70-200mm, 105mm Macro), then graded using Magic Bullet in AE.

Looks amazing and the better color space and lesser compression of DVCPro HD using the HVX200 is a better format to work with in post. As compared to HDV, that is.

Tips For Indie Filmmakers

Cinematical Seven: Tips for the Indie Filmmaker - Cinematical

Chris Ullrich shares some of his thoughts and tips on Indie Filmmaking. Interesting read. Click on the link above to check out the Cinematical article.

May 22, 2006

14 Hours Of Student Films

14 Hours of Student Films

What are some common mistakes that student and beginner filmmakers make? The above link will take you to a blog posting by Paul Harrill where he points out an interesting observation he made while sifting through all the film entries he received for a recent short film festival he organized.

May 14, 2006

The Art Of Zen Filmmaking

I came across this article written by Scott Shaw and found it interesting in that it talks about the issue of why it is so difficult for low budget indie filmmakers to finish or even start their films. Though I don't propose using this method for every film you will ever make, it is applicable to most low budget filmmakers who have to work with non-actors in their films. Non-actors being friends and family members who are willing to work for free, that is.

Thinking back, I have, in my own works, been unconsciously using this method when working with people who have never studied acting. I generally have an outline or general idea of how the scene should play out and instead of trying to make the actors follow the script to the dot, I will allow them to come up with their own interpretations.

Sometimes, when I know for sure I will be working with non-actors, I would intentionally write the script with that person's real character in mind. These would be friends or family whose personalities I know well enough to write into the script.

Read on for Scott Shaw's full article here.

Continue reading "The Art Of Zen Filmmaking" »

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