Shot using my Panasonic DVX-100ae. Other gear used were the usual suspects: Manfrotto Tripod, Lowel lights for the exterior shots. Everything else was shot with natural or fluorescent lights. I manually adjusted settings starting from the camera's default CineLike setting using my home TV set as a monitoring device.

Additionally, I experimented a bit by using my Pana Anamorphic Adaptor and turned on Squeeze mode at the same time. Don't take this as hard fact but my reasoning was that a 'dual-squeeze' would occur to achieve more horizontal resolution. I could then unsqueeze it in AE to achieve a 'wider' widescreen look - an aspect ratio somewhere in between 1.85 and 2.35, perhaps? Not an exact science but it worked just as well.

CCd the edited footage using AE and Magic Bullet's Look Suite. Also, using AE7, there's a new feature that allows film-like color proofing but isn't burned into the footage itself (Kodak 2383 Theater). It looked really great when turned on but isn't applied when rendering out. The workaround to this (I learned this from Stu Maschwitz's blog) is to apply the 'Utility > Color Profile Converter' TWICE in succession:

1st CPC Settings: Output Profile: Adobe RGB. Intent: Absolute Colorimetric.
2nd CPC Settings: Input Profile: DPX Theater Preview - Standard Print Film. Output Profile: PAL (or NTSC or whatever fits your needs).

Now the Kodak 2383 Theater color proof will be baked into your footage when rendered. Thanks to Stu for this great tip.

Hope you enjoy the video clip and this mini commentary. Stay tuned for more. Any questions? Please don't hesitate to email me.